Joan Waters
Photo by Bruce Hucko
Joan Waters earned her BFA from The Maryland Institute, College of Art, where she studied African art with Prof. James E. Lewis. She is originally from England, and grew up on the East coast of the U.S. In her childhood she travelled to the Caribbean many times with her family, where she developed the love of saturated tropical colors which are seen in her art. These travels exposed her to foreign cultures, and helped her cultivate the habit of looking at the world from different perspectives. This is reflected in her art in the use positive/negative shapes which play with shifting figure/ground relationships.
Waters’ paintings and metal sculptures suggest the energies and forms of nature without directly depicting natural scenes. By concentrating her will and energy into the materials, the work attains a visceral power and vibration of its own.
In 1989, Ms. Waters moved to Phoenix, Arizona where the abundance of light and feeling of spaciousness were integrated into her large abstract acrylic paintings. At age 34, breast cancer surgery and six months of chemotherapy forced Ms. Waters to take time off in order to get well; during this period of introspection, a re-examination of priorities led to her decision to commit more time to painting and drawing, and to exhibit her work more often. A welding class at Mesa Community College introduced Waters to the challenges of working in steel.
Ms. Waters exhibits her work extensively in the Scottsdale/Phoenix area and on the East Coast, and her work is in numerous public and private collections. Recent commissions include public art for City of Chandler, City of Phoenix, Mesa Permanent Sculpture Collection, Mesa Community College, Copper Sun Child Center and Burton Barr Central Library. Waters was guest curator of the Herberger Theater Gallery for the 2007 season. The artist welcomes commissions and enjoys the synergy of the collaborative process.
Totem: Los Animales
Media: welded Corten® steel
Dimensions: 77”h x 22”w x 20”d
$12,000
This Totem is part of a series inspired by the dramatic shadow patterns cast by the desert sun everywhere around us. I ‘deconstruct’ the shadow shapes by cutting them out of sheets of industrial steel, then weld them together to form new structures that seem to echo the organic forms of their original sources, but in new, imaginative ways. The new three-dimensional sculpture will then cast its own unique shadow shapes on it surroundings, becoming dynamic as the sun moves across the sky. A community of lively animals weaves through the positive and negative shapes, including two birds, a snake, a petroglyph-spiral snail, a chameleon and a fish.
